Still astonished to be starting
Work at twelve o'clock at night,
I passed through the dark streets
By the river, that first Sunday
In another life, carrying my lunch-
Box and steel-toed shoes toward
Those enormous ovens I'd be
Laboring beneath till morning.
Left alone below the mill floor,
I shoveled shale into the waters
Rushing beyond me like an opened
Main, and could hear above me
The shear and clamor of metals,
Crane whistles, ingots thundering
Along their beds to be rolled
Through a series of presses.
I learned that day how time ran
In the gears and drive trains
Of machinery, how time burned
Inside furnaces in the great fires
Of creation and spread out evenly
In sheets of steel. That night,
For the first time, I counted
The hours coming on, one by one,
And passed through them without
Sleep. Finally, that morning,
I watched the sun bloom in a sky
Filled with mill smoke and
Sparrows rising from their baths
Of dust, the blue fuse of ozone
From the wires above the trolleys.
I learned how each new day
Was a promise light made to dust
Before breaking, which the river
Took with it and emptied downstream.
How the streets were a promise,
And the surge of current through
The line--a song that the blood,
The humming wires, would take up
Again with each new morning,
Just as though it were the first.
:: Robert Gibb, The Origins of Evening (Norton, 1998)
This blog was initially launched as a resource for Ron Mohring's Working Class Literature course. New poems are posted irregularly. All are welcome to share and comment on poems by and about work and the working classes. To suggest a poem for inclusion or a book for the recommended reading list, please email ron dot mohring at gmail dot com; put Working Class Poems in your subject line. Thanks.
Showing posts with label robert gibb. Show all posts
Showing posts with label robert gibb. Show all posts
6.18.2012
3.26.2012
Steelworkers' Lockers, Pittsburgh History Center
The Forlonrnness of Metal they might just as well
Be titled, these salvaged relics, props from a set
Long struck--the lap-welds and louvers
And green latch-locked doors bolted in line
In assembly, each the width of a man crammed in
Or hung in parts as in effigy. The bench hard
As a pew. Beyond, the mills were medieval,
Rows of stoves set four to the furnace, chimneys
In groves, hoists where they elevated the stock.
In the locker room, at the start of each shift,
Shucked aluminum suits got lowered on pulleys
From their ceiling roosts. We changed into
Forge-proof shoes, the hardhat's Day-Glo halo,
And stepped among flames, out into the annealing,
Where the world was turned to steel.
:: Robert Gibb, World Over Water (Arkansas 2007)
Be titled, these salvaged relics, props from a set
Long struck--the lap-welds and louvers
And green latch-locked doors bolted in line
In assembly, each the width of a man crammed in
Or hung in parts as in effigy. The bench hard
As a pew. Beyond, the mills were medieval,
Rows of stoves set four to the furnace, chimneys
In groves, hoists where they elevated the stock.
In the locker room, at the start of each shift,
Shucked aluminum suits got lowered on pulleys
From their ceiling roosts. We changed into
Forge-proof shoes, the hardhat's Day-Glo halo,
And stepped among flames, out into the annealing,
Where the world was turned to steel.
:: Robert Gibb, World Over Water (Arkansas 2007)
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