You United States, frightened by dreams of Guatemala,
building houses with eight-mile-long wings to imprison the Cubans,
eating a bread made of the sound of sunken buffalo bones,
drinking water turned dark by the shadow of Negroes.
You remember things seen when you were still able to speak—
white wings lying in a field.
And when you try to pass a bill,
long boards fly up, suddenly,
in Nevada,
in ghost towns.
You wave your insubstantial food timidly in the damp air.
You long to return to the shell.
Even at the start Chicago was a place where the cobblestones
got up and flew around at night,
and anarchists fainted as they read The Decline and Fall.
The ground is soaked with water they used to boil dogs.
Your sons dream they have been lost in kinky hair,
no one can find them,
neighbors walk shoulder to shoulder for three days,
but your sons are lost in the immense forest.
And the harsh deer drop,
the businessmen climb into their F-4s,
the chocks are knocked out,
the F-4 shoots off the deck,
trailing smoke,
dipping slightly,
as if haunted by the center of the ocean,
then pulling up again, as Locke said it would.
Our spirit is in the baseball rising into the light
So the crippled ships go out into the deep,
sexual orchids fly out to meet the rain,
the singer sings from deep in his chest,
memory stops,
black threads string out in the wind,
the eyes of the nation go blind.
The building across the street suddenly explodes,
wild horses run through the long hair on the ground floor.
Cripple Creek’s survivors peer out from an upper-story window,
blood pours from their ears,
the Sioux dead sleep all night in the rain troughs on the Treasury
Building.
The moonlight crouches over the teenager’s body thrown from a car
The weeping child like a fish thrown from the herring block
the black-nosed Avenger leaping off the deck
Women who hear the cry of small animals in their furs
and drive their cars at a hundred miles an hour into trees
:: Robert Bly, in Working Classics: Poems on Industrial Life
This blog was initially launched as a resource for Ron Mohring's Working Class Literature course. New poems are posted irregularly. All are welcome to share and comment on poems by and about work and the working classes. To suggest a poem for inclusion or a book for the recommended reading list, please email ron dot mohring at gmail dot com; put Working Class Poems in your subject line. Thanks.
Showing posts with label robert bly. Show all posts
Showing posts with label robert bly. Show all posts
11.06.2010
11.05.2010
Condition of the Working Classes: 1960
There are bricks trapped in thousands of pale homes,
And pale children who in time will vote Republican,
Who sleep at night with black stones beneath their pillows;
I have seen cars ascending into the heavens,
Where their fenders turn slowly to drifting clouds;
Driving down the streets, we see the faces of children
Change suddenly into the doors of aircraft factories,
That are far off the street, behind grass, with a blue door;
And the doors change at night into small holes in paper
Behind which the blue sky is seen; and the sky changes
to decks of cards
Thrown down on a cardtable at midnight, and locked
away in boxes,
And the paper boxes change to chunks of pine standing
beneath axles
In lazy garages where the wooden floors are stained with oil,
And the extricated axles change to missiles with warheads
Climbing up, and the stages changes into aisles of a church,
And the church-doors change into the faces of children
standing beside the new trees.
:: Robert Bly, in Working Classics: Poems on Industrial Life
And pale children who in time will vote Republican,
Who sleep at night with black stones beneath their pillows;
I have seen cars ascending into the heavens,
Where their fenders turn slowly to drifting clouds;
Driving down the streets, we see the faces of children
Change suddenly into the doors of aircraft factories,
That are far off the street, behind grass, with a blue door;
And the doors change at night into small holes in paper
Behind which the blue sky is seen; and the sky changes
to decks of cards
Thrown down on a cardtable at midnight, and locked
away in boxes,
And the paper boxes change to chunks of pine standing
beneath axles
In lazy garages where the wooden floors are stained with oil,
And the extricated axles change to missiles with warheads
Climbing up, and the stages changes into aisles of a church,
And the church-doors change into the faces of children
standing beside the new trees.
:: Robert Bly, in Working Classics: Poems on Industrial Life
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