The Experts

When the man in the window seat
flying next to me
asks me who I am
and I tell him I’m a poet,
he turns embarrassed toward the sun.
The woman on the other side of me
pipes up that she’s 4’10” and is going to sue
whoever made these seats.

And so it is I’m reminded how I wish I were
one of the aesthetes
floating down double-lit canals
of quiet listening, the ones
who come to know something as
mysterious and useless
as when a tree has decided to sleep.

You would think for them
pain lights up the edges of everything,
burns right through the center of every leaf,
but I’ve seen them strolling around,
their faces glistening with the sort of peace
only sleep can polish babies with.

And so when a waitress in San Antonio
asks me what I do, and I think
how the one small thing I’ve learned
seems more complex the more I think of it,
how the joys of it have overpowered me
long after I don’t understand,

I tell her “Corned beef on rye, a side of salad,
hold the pickle, I’m a poet,” and she stops to talk
about her little son who, she says, can hurt himself
even when he’s sitting still. I tell her
there’s a poem in that, and she repeats
“Hold the pickle, I’m a poet,”
then looks at me and says, “I know.”

:: Jack Gilbert, in American Poetry Review

Lovers

When I hear men boast about how passionate
they are, I think of the two cleaning ladies
at a second-story window watching a man
coming back from a party where there was
lots of free beer. He runs in and out
of buildings looking for a toilet. “My Lord,”
the tall woman says, “that fellow down there
surely does love architecture.”

:: Jack Gilbert, The Great Fires